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Motherwell wrote:Mego, have you listened to Hisato Higuchi? For outsider singer-songwriter stuff it's about as minimal as it gets. Install free mcboot from usb drive. This right here is my kinda music.

Best recc i've gotten in a while. Glad you like him. What have you heard so far?

His recent early works comp on PSF might be the best place for newcomers, but I think 2010's Henzai is his most fully-realized effort. The wordless, wraithlike repetitions are too good; and the infinity of simplicity is overwhelming. I looked him up on youtube, heard girl.sister and tracked down a link to the she EP last night. Now i see spotify has henzai, butterfly horse street, and dialogue as well so i got a lot to go through. Posts: 12160 Joined: Mon Dec 14, 2009 6:08 pm Location: failing this city •.

Polmo Polpo is a pretty underrated project and I dig most of Sandro Perri's stuff tho not a lot of it is appropriate for this thread. I really struck out on my Toshimaru Nakamura collection. I remember having a lot of the req'd work from the 90s but this isn't the first drive I've stored this material on. Jason Kahn Sihl Code: I only have this at 192k FWIW. --------------------------------- Jason Kahn Miramar Code: 320k from CD --------------------------------- Toshimaru Nakamura + Sean Meehan From Tour Code: 320k from CD. The collaboration of the poet Anne-James Chaton, guitarist Andy Moor and musician Alva Noto is a dense and structured sound design, in which words, rhythms, and melodic loops inexorably blend. Anne-James Chaton reads almost a litany of portraits of people, built from lists of events and objective facts.

The list is set in several languages, deliberately repetitive, and becomes a continuous bass line on which the music builds up. The electronic sound structures of Alva Noto perfectly complement the incursions of Andy Moor‘s experimental guitar playing. Gradually, the prose, the guitar and machines resonate, culminating in a powerful storm both musical and harmonious. The text consists of a collection of twenty portraits written throughout the last decade. These almost photographic sketches are fed from textual blueprints which met the author at some point in time: bank statements, subway tickets, restaurant and shopping receipts are rewritten in prose, composed in simple subject-verb-complements.

Each piece of information becomes a sentence; all sentences are short and compact, and in fast succession, they gradually shape a story. Portraits of a nurse, a teacher, an educator, a singer, an astronaut, and many others are placed end to end. The assembly of parallel lives creates a continuous thread, providing a path to follow both extreme banality and great adventures. Actions, places and events are melted in the instance of a third person singular with no indication which is its true identity.

It is a disturbance with many possible escape routes of dispersion and emergence. The listener encounters the speeches of German, English, Japanese and other languages which introduce multiple shifts of meaning. The voice becomes pure sensation; in conjoint with the textures and improvisations delivered by the other musicians, it can submerge to the background and re-emerge again, being pure sonic material stripped off of its communicative function. The significance of words is lost in pure performance and proceeds as yet another texture in the sound. Might like this, the combination of the repetitive verbal mundane with the responsive works of the musicians is pretty stark and hypnotic. This is an all-time top ten album for me.